Brockhampton is an American band that has been gaining a lot of attention lately. With their unique sound and eclectic style, they have quickly become one of the most popular bands in the country. But how many albums do they have?
And what is their story? In this blog post, we will take a closer look at Brockhampton and explore their music career thus far.
How Many Albums Does Brockhampton Have?
Brockhampton is an American musical collective formed in San Marcos, California, in 2015. The group consists of Kevin Abstract, Matt Champion, Merlyn Wood, Joba, Bearface., Dom McLennon, Russell “Joba” Boring andRomil Hemnani. They have released three studio albums: Saturation (2017), Saturation II (2017), and Saturation III (2018).
The group has plans to release a fourth solo album in 2019. Brockhampton’s musical style has been described as a mix of hip hop, pop, R&B, and alternative. They have been compared to Odd Future, another hip hop collective for their, final album.
Brockhampton is signed to Question Everything, Inc. and distributed by RCA Records.
Saturation II is undoubtedly BROCKHAMPTON’s best album. After the initial success and before the tiresome conclusion, Saturation II is a nearly perfect concentration of each member’s talent.
Everyone gets a punchy verse, the melodies are often infectious, and the energy shifts songs go through to match the zeal of whoever is rapping seem as seamless as ever.
Songs like “SWEET” don’t only bump; they’re also hilarious to listen to and flow effortlessly. It may be the easiest release to understand of all of them, but it also demonstrates how well the group operates inside the hip-hop genre.
Roadrunner: New Light, New Machine
It is that fantastic, I agree. In all honesty, BROCKHAMPTON’s upcoming album, ROADRUNNER: NEW LIGHT, NEW MACHINE, is one of their best. It’s a fantastic depiction of two years of work, which also happens to be the longest the band has ever spent on a single record.
The band released collectively flexing so goddamn much here, from the strobe-y beginning “BUZZCUT,” which features a wonderful feature from Danny Brown to the sad and downbeat confessionals that wrap out “The Light Part 2.”
The album is described by vocalist Joba as having the feeling of liberation, and if not freedom, the emotion of running, as his recent personal misfortunes are featured prominently on several tracks. moving away from something and in the opposite direction.
A better project than it is given credit for is iridescence. The circumstances surrounding its publication were less than ideal, with one of its original members being fired owing to charges of sexual assault and the urgent need to rearrange the group around a project all occurring within six months or possibly even less. Iridescence is what I’ve come to refer to as a “sonic freefall” album since it is filled to the brim with every feeling there is.
Every sound in the book has a place in iridescence and testifies to the experimentation and style fusion that makes Brockhampton albums so distinctive in the first place.
BROCKHAMPTON band released melancholy album is undoubtedly NEW LIGHT, NEW MACHINE, GINGER, the group’s last release before ROADRUNNER. Opening tracks are frequently a solid indicator of the sound direction of an album, and the opener “NO HALO” doesn’t disappoint there.
With its exploration of themes of loss, listlessness, and desire that have previously been evident in the boys’ music but come across plainly and achingly on GINGER, GINGER feels like the comedown the group needed after a lot of high-energy releases and a lot of anguish. This may be partial because GINGER contains some of the group’s most jarring diversions from hip-hop, with the popular single “SUGAR” and the album’s title track veering closer toward R&B.
We all adore “BOOGIE,” which has established itself as BROCKHAMPTON’s go-to show closer and anthem. It’s a whole jam, right down to the siren sample and the high-octane beat driving the whole thing, which is all delivered by the squad’s boastful verses.
Every BROCKHAMPTON song is, in theory, a posse song, but this is undoubtedly one of their greatest performances, with a cool TRL performance to go with lines that you can’t help but make you feel on top of the world yelling at the top of your lungs, like, Who got me stirred up? One whore wants to talk about us.
Saturation isn’t near the bottom of this list due to its quality, but rather because of how difficult of a project it is to manage. It has the longest tracklist of any of their recordings, which gives it a stuffy first impression. Although 17 songs aren’t all that horrible and the album does last under an hour, Saturation’s song runtimes might use some improvement.
The worst songs tend to be close to five minutes long, with several tracks lasting more than four minutes. When BROCKHAMPTON had as many vocalists as they did at the time, it would have seemed important to give each one so much time, and adding additional time to a song is frequently a good thing.
It’s also the boy band’s least recognizable early work. The boys draw a lot of inspiration from their last studio album “MICHIGAN,” which sounds very different from theirs but also like something Outkast might create. However, after this, the homages would become less obvious.
An incredibly delicate, fingerpicked tune called “CONTACTS” is good, yet it sticks out like a sore thumb. If you only listened to All-American Trash, you might be forgiven for thinking that BROCKHAMPTON was anything other than a hip-hop boy band. This album has a lot of one-sided sounds, and it’s also very slow.